Books remaining: 19. Weeks left in which to read them: 37 (bad).
There wasn’t much to choose from for G – my only other unread (ha! typo undead) options were Peter Goldsworthy’s Everything I Knew – worthy, but meh – Helen Garner’s The Children’s Bach, which looked cool but was so skinny it felt like cheating, and Graham Greene’s Brighton Rock. This came a close second but seemed a little dark for how I was feeling so I went with the reliably brilliant, AND happy, Neil Gaiman.
He authored American Gods and Neverwhere, both great, though I liked American Gods best. This, another Gods-themed novel, is blurbed (now a word):
After the endless, though awesome, wrenching of Jonathan Safran Foer’s Extremely Loud and Incredibly Close I needed something just lovely, and the logic seemed sound that something this big, bright and blue would have to be.
I feel as though I can’t be the first to compare Neil Gaiman to Terry Pratchett, though I scarcely dare to. For those of you who have lived under a rock for their entire lives, Terry Pratchett is author of the Discworld fantasy-humour series, and several others just as brilliant, and he is adored worldwide.
Anyway, a little scared to make the comparison, as feel that whole internet will crash accusatorily Ialso now a word) down upon my head, breathing fire and shouting that I am wrong or, alternatively, that everyone already knew this. Well, I will resist the urge to Google it before I publish and just bravely sally forth with my likening. It’s just the sheer gladness of it, the inventiveness, big-thinking plot twists in almost-real worlds, flashing and ready humour tempered by plenty of warmth.
The story of all the mad things that happen to Charlie is anchored by the narrative running underneath, in which he is slowly uncovering a long-squashed sense of self-worth. As inevitably (and quite rightly) happens with stories about uncovering self-worth, he also finds out who he really loves in life, and who loves him.
This is a lighthearted read with a kernel of seriousness at its heart. It’s quotable and causes numerous giggles of the out-loud variety. I doubt Neil Gaiman can do any wrong; at least, he certainly hasn’t here. This is the sort of book that’s too good NOT to pass on to a friend immediately after reading, secure in the knowledge that you have done them a service.
I’m going to pass this on, mainly because it got water-damaged in a rain storm just as I started reading it (you can see in the picture) and I just can’t stand water-damage. Also, he recently wrote another novel that has caught my fancy, The Ocean at the End of the Lane, and I’d like to make room for that, should someone Just Happen To Buy it For Me.
More on The Curing of a Bibliomaniac project here.