Misfits (2009)

I know I’m about a thousand years behind the rest of the world (yes, a THOUSAND), but hey, whatever.

After another berserk week, I have just enough energy to quickly tell everyone that they should stop what they are doing to binge-watch Misfits.

This TV series is laugh-out-loud funny and the plot, though random, is cool enough to keep you caring (in the opposite way to how the plot of the latest season of True Blood is random enough to stop you caring).

A freak storm gives a bunch of twenty-something reprobates on community service orders a bunch of superhero powers, and they have to figure out basic life skills such as how to control their powers, how to keep them hidden, how to hide a rotting corpse… the usual.

As well as developing powers, the characters actually develop as people.

Amazing!

Tried both this show and Sons of Anarchy recently, as instructed by numerous people, and Sons of Anarchy was good, but a little ugly and depressing for what I’m after right now.

At the moment, I want lighthearted, funny and sexy as well as unpredictable, but I don’t want it to be dumb.

I still want it to be awesome and have good dialogue, and Misfits has this in spades.

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The Newsroom (Season 1, 2012)

This morning, on my beloved ABC 720AM, Ross Solly won my eternal esteem (well, he already pretty much had it) by mentioning Aaron Sorkin’s Newsroom on the air.
The finale of this series has just shown and it was rockin’, as has been the rest of the series.
If you’ve seen The West Wing, you’ll know the format: talky, clever, breathlessly paced, funny and topical as all get-out.
The first episode deals with the Deep Horizon disaster, so it’s a fascinating thing to watch fictional, idealised news coverage of real, and not-so-long-ago, events.
I won’t name them all, because I don’t want to spoil it for those of you who are HOPELESSLY BACKWARD: but suffice it to say, The Newsroom covers it all.
And it is idealistic. It’s a look at how the news could be, not in a perfect world, but in brave one where the purveyors are ready to risk their ratings, their necks and their jobs to get it right, keep it ethical, and not report news that ain’t news just because it’s what the rednecks expect to be fed.
It values truth over balance, a shocking idea for those of us in the business who’ve been taught the maxim that you’ve got to give the opposide side of an argument the same airspace… even when it’s totally, hopelessly dumbarse.
Needless to say, it’s like manna from heaven to a little journo who hasn’t quite forgotten all those uni ethics lessons, and it still a little bruised from the quick, hard lessons that ethical guidelines are really very hard to follow in the real world of zero money and zero time.
So, just as I salivate over The West Wing, I have salivated over every episode of The Newsroom.
Jeff Daniels was born to play the lead, and the Ministry and I have immediately formed deep attachments to the other characters too, already bestowing upon them all manner of nicknames and expectations.
I have heard tell it is viewed by some as sexist, but when following these accusations to their sources (as best I can) I think people think of Aaron Sorkin himself as sexist and are mainly applying this view to his other works, especially The Social Network.
I don’t see it, personally, and I’m one whose hackles often rise when a woman’s not given any cool job in a show or movie except to look pretty.
Sometimes the newsroom women act silly, but they’re not represented as less clever than the men, who often look pretty silly themselves.
I think the show represents the real world. And you know what? The real world is a bit sexist.
Any show worth its salt should represent how things really are, not how they should be.
It’s just like how the show doesn’t try to make it look like reporting the news without fear or favour is easy or always possible.
It’s the real world, Sorkin-style… by which I mean, crazily accelerated and reliably addictive.
FIVE OUT OF FIVE STARS.

Man Stroke Woman (2005)

British comedy sketch show is more or less it.

But I like this! Is good! Stars, among other most excellently comedic people, Nick Frost, the guy who was in Shaun of the Dead (among other things).

And just ridiculous enough to please those of a slightly sadistic bent who like things like Shaun of the Dead, The IT Crowd, or Black Books.

Disclaimer: So far, I’ve only watched the first episode.