Books remaining: 15. Weeks left to read them: 28 (I laugh in the face of danger).
As a pubescent, I read Kotzwinkle’s E.T.: The Extra-Terrestrial, a novelisation of the legendary 1982 Steven Spielberg film and thought the book just about better than the movie. Don’t throw rocks at me. The book was excellent.
Hence when I came across an original Kotzwinkle several years ago I snapped it up and, true to form, didn’t read it. Until now.
The Amphora Project
This is the story of Amphora, the immortality machine, and the humans who foolishly try to use it to achieve eternal life, at a time in which the Earth has long stopped being habitable, and people have long stopped accepting the idea of going quietly into that good night. When it becomes clear that Amphora is unstable and threatening the very existence of the race trying to use it, a band of fugitives makes one final attempt to destroy the device.
Lovers of a good robot, look no further – little Upquark, who converts himself into a suitcase in times of stress, is drawn haplessly into the battle and is hands-down what most endeared this story to me.
Upquark stared about in wonder. There was sand in his rollers, but excitement in his emotional card. Highly unusual circumstances were unfolding, for which he had no reference. He’d tossed and turned for hours in Ren’s ship, analysing for hours the terrible sequence of events he and his friends had undergone, and then, quite on its own, a train of nondeductive inference had begun, culminating in a picture of himself as a dangerous outlaw with a high metallic luster. Now he tried out a menacing gesture with his grippers, but no one seemed to notice. Perhaps he required Pugnacity Firmware.
Special mention, too, goes to the ‘junkernauts’, hazardous monoliths formed of obsolete, lunatic and half-broken robots determined to go on functioning in whatever capacity possible, with the result that they join to form these enormous oddities that sail about the galaxy, spectacularly destroying everything in their paths.
With its invention, whimsy and vivid stable of lovable, repulsive, weird and sexy characters, this would in fact itself have made a great movie. As a book it was a little hard to get, and stay, immersed in.
Though I put this down to lack of time to ‘get a run at it’, I find myself questioning this conventional wisdom. Surely the lack of ability to ‘get into’ books is not all because we all now have woefully short attention spans and even less free time.
When I feel truly captivated by a book I make the time, constantly rushing off for five minutes more to poke my nose into it, deciding to let this or that task slide so I might polish it off. Perhaps if we are so time-poor and have so much competing for our attention we should only keep reading any book if we feel that pull, and never let anything less suffice. (Though had this been my philosophy always there would doubtless be no chance I ever would have finished, for example, Mrs Dalloway – a bit painful, sure, but undoubtedly worth it). But as a general rule…
I vaguely knew Kotzwinkle’s work, sure, so picking up the book was justified. But as you keep reading a book that is not compelling you, what else is going unread? Right now because of this project, I am not reading Peter Carey’s Amnesia. I’m not reading Annabel Crabb’s The Wife Drought or Don Watson’s The Bush or letting the Matriarch pass on her latest book club book, Karen Joy Fowler’s We are All Completely Beside Ourselves… or sharing the Ministry’s new obsession with Vince Flynn’s Mitch Rapp thrillers.
Did I enjoy The Amphora Project? Yes. Would I recommend it to a sci-fi lover? Yes. Was it worth feeling cut off from the new book world for? Not really. Welcome to my learning curve.
Slowly I am realising I don’t actually want to read every single one of the hundreds of unread books I own, though I feel like saying it quietly in case they hear me. It is not that they have no value. It is just that I am realising the value they have to me, and to who I am, lessened over the years I carted them around.
Now what I value is freshness and space, clarity and time. A load of books is not proof of personality or taste and nor should it be. If an object is in my home, I should get joy from touching it and seeing it, not a vague sense of guilt and overwhelm.
There are only so many rainy days I will have in my life.
This is why from now in on How to Cure a Bibliomaniac that for each letter I do as the second half of the alphabet approaches – if I pick one book above the rest, with the internet as my witness, I will get rid of the others if I’m not serious about reading them.
And I’m not going to keep this book either.
This post was inspired by The Minimalists.